This will help benefit us in this life and our worldly duties, as well as the hereafter. Here are a few points which, inshallah, will help you improve the quality of your salah in terms of improving the prayer itself and also bearing in mind what can harm it. 1. Focus on your technique. This relates to each position you take during salah.
Madarij as-Saalikin bayna Manazil Iyyaka na‘budu wa iyyaka nasta‘in 1/237). Secondly: Regarding the question about the order of acts of worship, and which is the best of them, this has been answered previously on this website, and we have explained that it varies from one person and situation to another. Rahmani r-Rahim. Maliki Yawmi d-Din. 'Iyyaka na`budu wa 'iyyaka nasta`in. Ihdina s-sirata l-mustaqim. Sirata lladhina 'an`amta `alayhim ghayri l-maghdubi `alayhim wa la d-dallin. You must recite the whole Fatihah in the standing of every cycle (rak`ah) of every prayer, whether praying alone or in a group, unless in that cycle was insufficient

5.Iyyaka na budu wa iyyaka nasta’iin. 6.Ih dinas sirratal mustaqim. 7.Siratal lazina an amta alayhim. 8.Ghayril-maghzubbi alay -him wa laz-zhaalin (MEANING)-1.IN THE NAME OF ALLAH ,THE BENEFICENT&MERCIFUL. 2.ALL PRAISE IS FOR ALLAH,THE LORD OF WORLD. 3.THE MOST MERCIFULL 4.MASTER OF THE DAY OF JUDGEMENT

wa ilayka mu'tamadi, iyyaka na'budu wa iyyaka nasta'in, Abal gauth, aghithni; ya 'Ali adrikní sawäbî, rehmati, marhamati, sacho Muhammad 'Arab, 'Ali Muhammad Nütu—lläh bar— haqq, haqq—shinas daft balä; La iläha ill—Allahu, 'Amirul—mu'minin 'A liyyu—lläh; Hasa- bun—Allähu wa ni'amul—waki I wa ni amul— 4. Iyyaka na’budu wa iyyaka nasta’een – ‘This is between Me and My bondsman and I grant to My bondsman what he has asked 5. Ihdinaa siradt al-mustaqeen – The remaining 3 ayaat are exclusively for my the abd of Allah 6. Siradt al-latheena in’amata ‘alaihim 7. Gheir il-maghthoubi ‘alaihim wa la dhaleen ii. directly. O Allah, our Lord! Make us of those who have attained the source ( al-`ayn) and not just hear the report ( al-athar )! “The Arabs habitually pursue refinement in their speech, switching from style to style in order to refresh it and stimulate the listener. AdSb.
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